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Contemporary Silver Gelatin Prints (1800 to 2000 England)Medium Print and Glass Provenance
See: Finch & Co catalogue no. 1, for a silver gelatin print and photographic glass slide depicting a quagga
The photographer Edward Weston spoke of the camera’s capacity for ‘looking deeply into the nature of things’ and the photographer Siegfried Kracauer declared that the ‘power of the medium’ lay in its ability ‘to open up new, hitherto unsuspected dimensions of reality’. Thus ‘photographs do not just copy nature but metamorphose it...’ The photograph can therefore be the very opposite of a literal record, a catalogue of the world, with only a capacity for reflecting the superficial aspect of things. A language of depth can replace that of surface and the photographer like the poet or painter can ‘see into the life of things’.
A Contemporary Silver Gelatin Print of Sharks
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